Files
hcie-rust-v3.05/gemini-code-1784601749638.md
phantom e5d899d72d feat: add watercolor brush category with presets and splat renderer
- Implemented a new crate `hcie-watercolor-brushes` containing watercolor brush presets and a procedural splat preview renderer.
- Integrated watercolor brushes into the iced GUI's Brushes panel, adding a new category for watercolor brushes.
- Updated the `BrushCategory` enum to include `Watercolor` and modified the rendering logic to display watercolor presets.
- Added functionality to generate watercolor splat thumbnails using a noise-based algorithm.
- Ensured that existing brush styles and engine crates remain unmodified, adhering to project constraints.
2026-07-21 06:07:12 +03:00

4.0 KiB

Comprehensive Drawing & Painting Media Reference Guide

A Structured Classification System for Traditional Tools and Digital Brush Architecture


1. Dry & Graphic Media

Graphite & Charcoal

  • Graphite Pencils: Graded by hardness and darkness from 9H (hardest) to 9B (softest).
  • Carpenter Pencil: Broad, flat-graphite core for wide strokes and varied line weights.
  • Powdered Graphite: Fine graphite dust used for large-area shading and smooth tonal blending.
  • Compressed Charcoal: Dense charcoal bound with gum, producing deep, rich blacks and hard lines.
  • Willow / Vine Charcoal: Burnt natural twigs; soft, powdery, and easy to erase or smudge.
  • Charcoal Pencil: Encased in wood for clean handling and precise detail work.

Pastels & Chalks

  • Soft Pastels: High pigment content with minimal binder; offers powdery, easily blended colors.
  • Hard Pastels (Conté Crayon): Higher binder content; ideal for sharp edges, outlines, and details.
  • Oil Pastels: Bound with non-drying oil and wax; buttery texture with strong opacity.
  • Water-Soluble Pastels: Can be used dry or dissolved with water to create watercolor-like washes.
  • PanPastel: Cake-format pastel applied using specialized sponges and applicators.
  • White Chalk & Sanguine: Traditional earthy monochrome media used for highlights and anatomical studies.

Colored Pencils

  • Wax-Based Colored Pencils: Soft core, ideal for rich color layering and blending.
  • Oil-Based Colored Pencils: Harder core, break-resistant, well-suited for fine detail work.
  • Watercolor Pencils: Water-soluble pigment cores that react with wet brushes.

2. Inks & Markers

Markers & Felt-Tip Pens

  • Alcohol-Based Markers: Fast-drying, streak-free blending ink (e.g., Copic).
  • Water-Based Markers: Water-soluble ink; ideal for general illustration and light wash effects.
  • Acrylic Paint Markers: Opaque, water-based acrylic paint for multi-surface application (e.g., Posca).
  • Brush Pens: Flexible nibs (felt or synthetic hair) for variable stroke width in ink illustration.

Inking Instruments

  • Indian / Drawing Ink: Waterproof, highly opaque shellac- or acrylic-based liquid ink.
  • Dip Pen / Nib Pen: Traditional metal nibs dipped into ink for calligraphic or cross-hatching work.
  • Technical Pens (Rapido): Precision engineering pens delivering exact, consistent line widths.
  • Fineliners / Graphic Liners: Pigment-based, lightfast, fine plastic-nibbed pens for line art.

3. Wet & Painting Media

Watercolors & Water-Based Paints

  • Tube & Pan Watercolors: Highly transparent pigments activated by water for delicate layering.
  • Liquid Watercolors: Concentrated fluid pigments popular in graphic arts and illustration.
  • Gouache: Opaque watercolor drying to a smooth, matte finish.
  • Acryla Gouache: Water-based paint combining gouache opacity with acrylic water-resistance when dry.

Oils & Acrylics

  • Traditional Oil Paint: Linseed oil binder; slow-drying, allowing extensive blending and impasto.
  • Water-Mixable Oil Paint: Modified oils that thin and clean up with water without solvents.
  • Heavy Body Acrylic: Thick, buttery consistency that retains brush and palette knife marks.
  • Fluid & High-Flow Acrylic: Low-viscosity acrylics for smooth coverage, glazing, or airbrushing.
  • Egg Tempera: Fast-drying traditional medium using egg yolk as a binder.

4. Digital-Specific Brush Classifications

Digital Engine Types

  • Pixel / Raster Brushes: Simulates traditional media textures using bitmapped stamps and opacity dynamics.
  • Vector Brushes: Creates resolution-independent paths with editable stroke profiles.
  • Smudge & Blending Tools: Manipulates existing canvas color without applying new pigment.
  • Stamp & Texture Brushes: Applies pre-rendered patterns or shapes (e.g., foliage, skin texture, clouds).
  • FX & Dynamic Brushes: Particle- or physics-based brushes generating glows, sparks, or fluid effects.